I work closely with photographers, directors and creative teams — translating moodboards into painted, sculpted and pigmented work that holds up under lights, in motion, and through the longest of shoot days.

My international career with the Kryolan team has built a kit that ranges from fine-line body illustration to full SFX prosthetics and sculptural colour. Whichever the brief, the technique is the same: skin-first, camera-tested.